A day at Mount Macedon

Sanatorium Lake Mist [ Nikon Z8, Nikkor Z 24-70mm f/2.8 S @ 28mm f/11 1/80s ISO64]

On Saturday 21 June 2025, we decided to pay Mount Macedon a visit. The primary goal of the trip is to photograph mushrooms. If we get to do some landscape photograph or even astrophotography, it would be a bonus.

Something we didn’t count on was that the day was very foggy at Mount Macedon. It was evident that there was a atmospheric inversion at play on that day.

When we arrived at Lions Head Car Park (the closest car park to Sanatorium Lake), it felt like we were in the clouds. The sun was hardly shining through and the vicinity of the lake was fairly dark. Walking around the lake, we saw plenty of wildlife. They were mostly White-browed Scrubwrens, Eastern Yellow Robins and Superb Fairywrens. I tried to photograph the Srubwren but they were not cooperating. The Eastern Yellow Robin were not particular keen to pose for pictures ether.

Bonnets [Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ f/11 1/4s ISO500, Tripod mounted, 130x Stacked]

Fortunately, we found many mushroom around the lake but only one particular species was photogenic. Unfortunately, mobile signal was weak to non-existent at Sanatorium Lake. I was unable to use iNaturalist Seek mobile app to identify the mushroom. We I got home, it only only able to identify them as Bonnets.

Bonnets [Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ 1/3s f/10 ISO800, Tripod mounted, 150x stacked, Lume Cube 2 fitted with a diffuser]

I normally take macro photographs handheld with the aid of a Speedlight. This time, I have been using available light on a tripod and using a technique call focus stacking. The Nikon cameras have a focus shift mode that automates the focus change during stacking.

As this is the first time I have use the focus shift feature in the camera, it was clear to me what exposure settings I should be using. In retrospect, I should probably use an aperture of f/5.6, shift distance of 1 and a stack of 100-200 depending on the subject.

Bonnets [Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ f/10 1/5s ISO200, Tripod mounted, 150x stacked]

The size of the stack seems quite difficult to estimate. 150 (only some were used in post-processing) for the first 2 stacks seems appropriate. For the third stack, 150 was excessive. I think I could have gotten away of a size of 100. For the last stacked image (moss), 150 was clearly not effort.

Joint-toothed Moss {Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ f/9 1/5s ISO200, Tripod mounted, 150x stacked]

For the image of the moss, I used an artificial background. The natural background had high contrast. I don’t particularly like this image. The background colour just doesn’t look right. I should probably have chosen a darker shade of green. The natural light was also too harsh. I should have chosen a different spot to photograph these moss.

Sunset at Mount Macedon [Nikon Z8, Nikkor Z 24-70mm f/2.8 S @ f/11 1/400s ISO500]

After Sanatorium Lake, we visited Camel’s Hump. This confirmed to me that we are in the midst of an Atmospheric inversion. However, it was very windy at Camel’s Hump and the light was very harsh. The wind disturbed the inversion. I decided against any photograph there.

Nearing sunset, we went to the Memorial Cross. This is when I took the sunset photographs. The best one was when the sun was half-way beneath the inversion with trees and shrubs partially framing the sunset into the inversion. I tried bracketing the shots for a composite that captures the sunset and well-exposed foreground. In the end, I decided that a single shot with the foreground in silhouette looks the best.

We went back to the Days Picnic Ground to have a look at the Milky Way. Although the sky at Mount Macedon is supposed to be Bortle Class 3, astrophotography was not possible. I suppose Mount Macedon is too close to Melbourne. We stayed until about 8pm and decided to head home.

These photographs were previewed with Nikon NX Studio and post-processed with Affinity Photo 2. I am really happy how Affinity Photo 2 is working out.

Older photographs of Black Kites

Black Kite [24 September 2022: Nikon D850, AF-S Nikkor 500mm f/5.6E PF ED VR, AF-S Teleconverter TC-14E III @ 700mm 1/2500s f/8 ISO640]
Black Kite [30 April 2023: Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/800s f/6.3 ISO160]

As I am a bit incapacitated at the moment, due to a cold followed by a defective foot, I am not able to go out for photography. I thought I go into my archive and post a couple of photographs from the not too distant past.

These photographs are both taken at different times at the Western Treatment Plant with different gear. The first photograph was my first successful bird-in-flight photograph. As the bird is gliding, it has a large horizontal span which makes the subject look smaller and further away but, if you look closer, the details of the bird are all there.

The second photograph is another rather Black Kite. This curious bird came to have a closer look at me. It is one of my first bird-in-flight photographs using the 800mm lens and the Nikon Z9. The shutter speed is a bit slow, so its not perfectly sharp but its good enough.

These photographs have also been re-processed using Affinity Photo 2.

The resident White-faced Heron of Trin Warren Tam-boore

White-faced Heron  [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/400s f/6.3 ISO280]
White-faced Heron [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/400s f/6.3 ISO160]
White-faced Heron [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/400s f/6.3 ISO100]

Whenever you visit Trin Warren Tam-boore, chances are you will see a White-faced Heron. It is not clear if it is always the same heron that you see every time. I have seen more than one heron of this species in the same day. I seem to remember seeing as many as 6 White-faced Herons at the same time.

This particular heron was photographed on 22 May 2025. I have similar photographs taken a few days prior. It was a bird that is fairly comfortable with people around it. It allowed me close proximity before displaying any signs of anxiety. The fact that it allowed me to be close provided me with an opportunity to isolate the subject in my photographs. These photographs shown here required very little post-processing. This is not something that can be said of most birds.

The White-faced Heron was the first reasonably large bird I have photograph at the beginning of my wildlife photography journey. So, it has a very special place in my heart.

The 800mm lens that I normally use at Trin is a bit too long for this bird. I think a 400mm would have suffice and will get an image with a clean background.

Some people I know will not give any thought to photographing this bird. The reason being that it is too common. I always respond by saying that I would rather get a beautiful photograph of a common bird than get a bad photograph of a rare bird. Give me a Superb Fairywren or a New Holland Honeyeater or, indeed, a White-faced Heron any day.

We are transitioning to Affinity Photo 2

Red-browed Finch [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/500s f/6.3 ISO2800]

When we started wildlife photography, we moved from Nikon’s own image processing tool call NX Studio to Adobe Lightroom and Photoshop. The bundle used to cost about AUD15 a month. I managed to secure the old price by purchasing a 1 year subscription at the beginning of this year. The current pricing on Adobe’s website is about double that price. So we will be facing a 100% price hike next year.

A doubling of price is not acceptable for us who don’t make a living off photography. This has prompted us to search for an alternative before the Adobe subscription expires next year. After a few months of research, we have settled on Affinity Photo 2 from Serif. Unlike Adobe Lightroom and Photoshop, we will only need to pay for a major version. This gives us access to minor upgrades. Historically, version 1 of Affinity Photo lasted for 7 years. The current version of Affinity Photo 2 which was released in November 2022 is about AUD96. This is quite a saving.

Affinity photo 2 is more like Photoshop than Lightroom. It is missing the catalogue management that Lightroom provides. We are fine with that as we find that we seldom search the Lightroom catalogue. Instead, We would process our photographs and ingest the final images on our NAS (Network Access Storage). If we need to search the library, we prefer to use the NAS and its associated mobile app on our phones. We will use Nikon’s NX Studio to evaluate and cull our photographs. NX Studio will still be an essential tool for us because Nikon’s Pixel Shift images can only be processed by NX Studio.

What convinced us to move to Affinity Photo 2 is the introduction of AI subject selection in version 2.6. We found that this capability is on par with Lightroom. While Lightroom’s subject masking is more accurate when the subject is large in the photograph, Affinity Photo works better with highly cropped subject. We also find that Affinity Photo selection refinement is easier to use and gets things right most of the time. Adobe’s masking refinement usually involves the use of the brush tool which can be time-consuming and error-prone.

The learning curve with Affinity Photo 2 is steeper but Serif made lots of instructional videos that made the learning process easier. The starting point for us was the video dedicated to wildlife processing. Having access to Adobe Lightroom provided us with less incentives to learn Photoshop. However, learning Affinity Photo 2 actually helped opened up more possibility for us in post-processing which we presume is also available in Photoshop.

Did we look at other alternatives? Yes, we did. Why did we choose Affinity Photo 2 over the other alternatives? Most post-processing software will satisfy our needs but Affinity Photo 2 has a true non-subscription pricing model. The alternatives (which shall remained nameless) do not sit well with us – they either have a subscription model like Adobe or have what we call a pseudo-subscription model. By the later, we mean that they release a new major version every year and you have to pay yearly to get the new version. If you miss a version, we have to pay more to upgrade. The advantage of a pseudo-subscription over a full subscription model is that you have a perpetual license to use the last software version you have paid for.

The above photograph of a Red-browed Finch was taken at the Skink Habitat at Royal Park on 31 May 2025. It was post-processed using Affinity Photo 2.6.3 using multiple layers and masking. While it took longer than with Adobe Lightroom, the result we have achieved is better. We suspect that we will have to resort to using Photoshop and expending similar amount of effort to achieve a similar outcome. While it is not the best photograph of the species, we thought it demonstrated how we can take an ordinary photograph of a bird and made it pop.

Until the Adobe subscription expires, we will be using both software side-by-side with a view to explore the features of Affinity Photo 2 that exceeds that of Adobe Lightroom.

Great Cormorants visit Oak Street Wetland

Great Cormorant [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/500s f/6.3 ISO1600]
Great Cormorant [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/500s f/6.3 ISO1600]
Great Cormorant [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/500s f/6.3 ISO1400]

We have not observed any Great Cormorants at the Oak Street Wetlands for some time. On 10 May 2025, a couple of Great Cormorants decided to make that trip.

As the sun was still low in the horizon, the light was subdue. I set the shutter speed to a fairly low 1/500s. I wasn’t anticipating action shots. However, when one of the Cormorants started to dry its wing by flapping them, I forgotten that I had a low shutter speed and starting taking a series of photographs.

The resulting photographs aren’t terribly sharp. Most of them were deleted as a result. These 3 photographs depicted here of the various wing positions were of acceptable quality.

The 2 Cormorants didn’t stay long at Oak Street Wetland. It seems to have departed sometime in that morning. We were the only ones who have seen it that day.

As winter approaches, we are seeing less and less of the more common cormorants as well – the Little Pied Cormorants and Little Black Cormorants.

Another portrait of a Galah

Galah (Male) [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/400s f/6.3 ISO1800]

The Galahs are back in force at the oval next to the Trin. This particular photograph of a male Galah was captured on the morning of 20 May 2025.

On that morning, it is fairly cloudy. The sun had just risen and behind the clouds. The light trickled through the cloud and backlighted the bird – hence a bit of rim light on the head and body.

The Galahs were foraging in the oval that is elevated from the walking path. This provided me with the opportunity to take this picture at eye-level with the Galah by adopting a kneeling position on the walking path. The background was far away so it was rendered as a blur. As the bird was mostly in the shadow, it took some processing effort to get to the final result.

A spider in our backyard

Australiasian Garden Orb-weaver (Hortophora Biapicata) [18 April 2025: Nikon Z8, NIKKOR Z MC 105mm f/2.8 VR S @ 1/60s f/24 ISO200, Nikon SB-910, Cygnustech Diffuser]
Australiasian Garden Orb-weaver (Hortophora Biapicata) [18 April 2025: Nikon Z8, NIKKOR Z MC 105mm f/2.8 VR S @ 1/60s f/22 ISO200, Nikon SB-910, Cygnustech Diffuser]
Australiasian Garden Orb-weaver (Hortophora Biapicata) [23 April 2025, Nikon Z8, NIKKOR Z MC 105mm f/2.8 VR S @ 1/200s f/18 ISO200, Nikon SB-910, Cygnustech Diffuser]

On 18 May 2025, we observed a spider building its web after sunset. I took out my Z8 with a 105mm macro lens fitted with a SB-910 speedlight and the new Cygnustech Diffuser. This enabled me to take a series of detailed photograph of the Australian Garden Orb-weaver.

This is the first time I have seen such a large spider in our backyard. Previously, we have only observed some jumping and Lynx spiders.

Not being a seasoned macro photographer, I have to use the iNaturalist app on my phone to identify this spider.

The next morning, the web disappeared and the spider was found hiding in a hole. Then just after sunset, it started building its web again. This happened for a few nights. On one or two days, the web remained intact. I suspect that birds might have destroyed the web after dawn.

The spider disappeared after about a week. It may have moved on or got taken by a predator – possibly a bird.

The first night I took these photographs, I found that I have again let my macro photography skills slipped. This is rather disappointing because I have promised myself to do more macro photography the last time this happened. However, over the course of the few nights that the spider was around, I have managed to regained some of my skills.

As weather gets colder with winter approaching, I don’t think there will be many opportunities to photograph insects. I think I will try my hand at macro photography of flowers and fungi.

A minimalistic portrait of a Common Blackbird

Common Blackbird [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/250s f/6.3 ISO1400]

I like this photograph of a Common Blackbird more than I should.

The Common Blackbird is an introduced species that can be found almost everywhere is Melbourne. They have at times visited my backyard and they love my blueberries when they are in season.

Most people don’t adore these birds but I do find this photograph taken on 22 May 2025 at Trin very appealing. The focus is perfect, the background is reasonably burred with features that alluded to the habitat. It is a classic bird-on-stick photograph but the saturated orange beak compliments the black feathers on the body of the bird very well. It is quite likely my best picture of the Common Blackbird thus far.