A day at Mount Macedon

Sanatorium Lake Mist [ Nikon Z8, Nikkor Z 24-70mm f/2.8 S @ 28mm f/11 1/80s ISO64]

On Saturday 21 June 2025, we decided to pay Mount Macedon a visit. The primary goal of the trip is to photograph mushrooms. If we get to do some landscape photograph or even astrophotography, it would be a bonus.

Something we didn’t count on was that the day was very foggy at Mount Macedon. It was evident that there was a atmospheric inversion at play on that day.

When we arrived at Lions Head Car Park (the closest car park to Sanatorium Lake), it felt like we were in the clouds. The sun was hardly shining through and the vicinity of the lake was fairly dark. Walking around the lake, we saw plenty of wildlife. They were mostly White-browed Scrubwrens, Eastern Yellow Robins and Superb Fairywrens. I tried to photograph the Srubwren but they were not cooperating. The Eastern Yellow Robin were not particular keen to pose for pictures ether.

Bonnets [Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ f/11 1/4s ISO500, Tripod mounted, 130x Stacked]

Fortunately, we found many mushroom around the lake but only one particular species was photogenic. Unfortunately, mobile signal was weak to non-existent at Sanatorium Lake. I was unable to use iNaturalist Seek mobile app to identify the mushroom. We I got home, it only only able to identify them as Bonnets.

Bonnets [Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ 1/3s f/10 ISO800, Tripod mounted, 150x stacked, Lume Cube 2 fitted with a diffuser]

I normally take macro photographs handheld with the aid of a Speedlight. This time, I have been using available light on a tripod and using a technique call focus stacking. The Nikon cameras have a focus shift mode that automates the focus change during stacking.

As this is the first time I have use the focus shift feature in the camera, it was clear to me what exposure settings I should be using. In retrospect, I should probably use an aperture of f/5.6, shift distance of 1 and a stack of 100-200 depending on the subject.

Bonnets [Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ f/10 1/5s ISO200, Tripod mounted, 150x stacked]

The size of the stack seems quite difficult to estimate. 150 (only some were used in post-processing) for the first 2 stacks seems appropriate. For the third stack, 150 was excessive. I think I could have gotten away of a size of 100. For the last stacked image (moss), 150 was clearly not effort.

Joint-toothed Moss {Nikon Z8, Nikkor Z MC 105mm f/2.8 VR S @ f/9 1/5s ISO200, Tripod mounted, 150x stacked]

For the image of the moss, I used an artificial background. The natural background had high contrast. I don’t particularly like this image. The background colour just doesn’t look right. I should probably have chosen a darker shade of green. The natural light was also too harsh. I should have chosen a different spot to photograph these moss.

Sunset at Mount Macedon [Nikon Z8, Nikkor Z 24-70mm f/2.8 S @ f/11 1/400s ISO500]

After Sanatorium Lake, we visited Camel’s Hump. This confirmed to me that we are in the midst of an Atmospheric inversion. However, it was very windy at Camel’s Hump and the light was very harsh. The wind disturbed the inversion. I decided against any photograph there.

Nearing sunset, we went to the Memorial Cross. This is when I took the sunset photographs. The best one was when the sun was half-way beneath the inversion with trees and shrubs partially framing the sunset into the inversion. I tried bracketing the shots for a composite that captures the sunset and well-exposed foreground. In the end, I decided that a single shot with the foreground in silhouette looks the best.

We went back to the Days Picnic Ground to have a look at the Milky Way. Although the sky at Mount Macedon is supposed to be Bortle Class 3, astrophotography was not possible. I suppose Mount Macedon is too close to Melbourne. We stayed until about 8pm and decided to head home.

These photographs were previewed with Nikon NX Studio and post-processed with Affinity Photo 2. I am really happy how Affinity Photo 2 is working out.

Older photographs of Black Kites

Black Kite [24 September 2022: Nikon D850, AF-S Nikkor 500mm f/5.6E PF ED VR, AF-S Teleconverter TC-14E III @ 700mm 1/2500s f/8 ISO640]
Black Kite [30 April 2023: Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/800s f/6.3 ISO160]

As I am a bit incapacitated at the moment, due to a cold followed by a defective foot, I am not able to go out for photography. I thought I go into my archive and post a couple of photographs from the not too distant past.

These photographs are both taken at different times at the Western Treatment Plant with different gear. The first photograph was my first successful bird-in-flight photograph. As the bird is gliding, it has a large horizontal span which makes the subject look smaller and further away but, if you look closer, the details of the bird are all there.

The second photograph is another rather Black Kite. This curious bird came to have a closer look at me. It is one of my first bird-in-flight photographs using the 800mm lens and the Nikon Z9. The shutter speed is a bit slow, so its not perfectly sharp but its good enough.

These photographs have also been re-processed using Affinity Photo 2.

We are transitioning to Affinity Photo 2

Red-browed Finch [Nikon Z 9, Nikkor Z 800mm f/6.3 VR S @ 1/500s f/6.3 ISO2800]

When we started wildlife photography, we moved from Nikon’s own image processing tool call NX Studio to Adobe Lightroom and Photoshop. The bundle used to cost about AUD15 a month. I managed to secure the old price by purchasing a 1 year subscription at the beginning of this year. The current pricing on Adobe’s website is about double that price. So we will be facing a 100% price hike next year.

A doubling of price is not acceptable for us who don’t make a living off photography. This has prompted us to search for an alternative before the Adobe subscription expires next year. After a few months of research, we have settled on Affinity Photo 2 from Serif. Unlike Adobe Lightroom and Photoshop, we will only need to pay for a major version. This gives us access to minor upgrades. Historically, version 1 of Affinity Photo lasted for 7 years. The current version of Affinity Photo 2 which was released in November 2022 is about AUD96. This is quite a saving.

Affinity photo 2 is more like Photoshop than Lightroom. It is missing the catalogue management that Lightroom provides. We are fine with that as we find that we seldom search the Lightroom catalogue. Instead, We would process our photographs and ingest the final images on our NAS (Network Access Storage). If we need to search the library, we prefer to use the NAS and its associated mobile app on our phones. We will use Nikon’s NX Studio to evaluate and cull our photographs. NX Studio will still be an essential tool for us because Nikon’s Pixel Shift images can only be processed by NX Studio.

What convinced us to move to Affinity Photo 2 is the introduction of AI subject selection in version 2.6. We found that this capability is on par with Lightroom. While Lightroom’s subject masking is more accurate when the subject is large in the photograph, Affinity Photo works better with highly cropped subject. We also find that Affinity Photo selection refinement is easier to use and gets things right most of the time. Adobe’s masking refinement usually involves the use of the brush tool which can be time-consuming and error-prone.

The learning curve with Affinity Photo 2 is steeper but Serif made lots of instructional videos that made the learning process easier. The starting point for us was the video dedicated to wildlife processing. Having access to Adobe Lightroom provided us with less incentives to learn Photoshop. However, learning Affinity Photo 2 actually helped opened up more possibility for us in post-processing which we presume is also available in Photoshop.

Did we look at other alternatives? Yes, we did. Why did we choose Affinity Photo 2 over the other alternatives? Most post-processing software will satisfy our needs but Affinity Photo 2 has a true non-subscription pricing model. The alternatives (which shall remained nameless) do not sit well with us – they either have a subscription model like Adobe or have what we call a pseudo-subscription model. By the later, we mean that they release a new major version every year and you have to pay yearly to get the new version. If you miss a version, we have to pay more to upgrade. The advantage of a pseudo-subscription over a full subscription model is that you have a perpetual license to use the last software version you have paid for.

The above photograph of a Red-browed Finch was taken at the Skink Habitat at Royal Park on 31 May 2025. It was post-processed using Affinity Photo 2.6.3 using multiple layers and masking. While it took longer than with Adobe Lightroom, the result we have achieved is better. We suspect that we will have to resort to using Photoshop and expending similar amount of effort to achieve a similar outcome. While it is not the best photograph of the species, we thought it demonstrated how we can take an ordinary photograph of a bird and made it pop.

Until the Adobe subscription expires, we will be using both software side-by-side with a view to explore the features of Affinity Photo 2 that exceeds that of Adobe Lightroom.